tha fuck you sed to me boi…
THIS IS EVEN CREEPIER THAN THE AHS GIFS. SCARRED FOR LIFE.
SO YOU KNOW THAT POST ABOUT THE RED VARSITY JACKETS WITH LEATHER SLEEVES BEING THE LESBIAN UNIFORM???
WELL I WAS LOOKING AT THIS JACKET ONLINE:
AND THEN I FOUND THIS REVIEW:
AND I AM ABSOLUTELY LOSING IT
LOOK AT THE “BEST USES”it looks even better out of the closet
OH MY GOD IT’S THIS POST IF ANY OF YOU ARE WONDERING WHY I’M LAUGHING MY ASS OFF
Just pre-ordered the iphone 6. Sonera better ship it next Friday.
Meanwhile, Mac goes from being an embedded reporter in a war zone to sitting in the control room during Will’s show, where she regularly saves him from looking like an idiot on national TV. Maggie volunteers to report from a war-torn region of Africa and narrowly avoids being killed. Sloan Sabbith holds a PhD, goes toe-to-toe with the president of the news division, punches Wall Street jerks, speaks fluent Japanese, and stands up for what she thinks is right, even when it means physically threatening her executive producer. Leona Lansing owns the network and, it’s safe to say, scares the shit out of almost everyone, including her male subordinates.
The Newsroom is chuck-full of robust female characters. When faced with flawed women, we find ourselves utterly incapable of appreciating them for who they are as characters. Instead, we see them as universal representations of their gender, which means Sorkin doesn’t have a “woman problem.” We do.
Feminism, as a movement, constantly begs Hollywood to depict, “real” female characters. We refuse to accept the overly sexualized “hero” like Cat Woman or the sexless, overworked bitch like Miranda Priestly. We’re starving for smart, funny, flawed female characters who, if they don’t actually “have it all,” are struggling to get there like the rest of us. But, when we actually see those characters on TV, we immediately complain about what we said we wanted all along — we turn on the writers of those shows for not crafting the “perfect” female character."